Italian Neorealism Essay -- European Cinema

The aim of this inform is to discuss Italian Neorealism (Neorealismo) looking for at how the movement played a signifi ceaset element in European cinema during and after the times of Benito Mussolinis fascist regime. The report not only looks at how but why Neorealism became a exploitation phenomenon for filmmakers during its debatable 10 year period, and what implication of messages these Neorealist directors were trying to send fall out through their films. Backed up by several reliable harbour sources, the evidence for this report will similarly highlight the influences Neo-realism has created in modern-day filmmaking today. Before the dawn of Neorealism, Italy was under great turmoil in the former(a) 1920s suffering from major economic crisis, bank failures and a collapsing government, which would also mean a collapse in the Italian film industriousness and the Silent Era of cinema (Roberts, 2005). When Benito Mussolini took oblige as the 40th eyeshade Minister of Italy in 1922 the revival of Italian cinema would be at once again be relived, but this time ruled under the control and guidance by Mussolini and his fascist government (Bondanella, 2001). It was not until the mid thirties that the brutish dictator truly recognized the potential power of media, where in 1935 a special funding was given to the production of Italian films which was utilise to open up film institutions like the Centro Sperimenale di Cinematografia (CSC) film school, and Cinecitta (Cinema City) studios in 1937 (Ruberto and Wilson, 2007). The reading of these institutions sparked the appearance of early sound cinema, specializing in genres such as comedies, melodramas, musicals and historic films, but were all categorized as propaganda and white telephone films by many critics due... ...echoslovak New Wave, Denmarks Dogme 95, and British Social Realism, which all can be seen as notable influences from that of Italian Neorealism. Works CitedRoberts, J. (2005), Benito Musso lini, Minneapolis Twenty-First carbon Books.Bonandella, P. (2010), Italian Cinema From Neorealism to the Present (3rd edn), London The Continuum International Publishing collection Ltd.Ruberto, L.E. and Wilson, K.M. (ed.) (2007), Italian Neorealism and Global Cinema, Detroit Wayne State University Press.Reich, J. and Garofalo, P. (ed.) (2002), Re-viewing Fascism Italian Cinema, 1922-1943, Indiana Indiana University Press.Landy, M. (2000), Italian Film, Cambridge Cambridge University Press. Sorlin, P. (1996), Italian National Cinema 1896-1996, London Routledge.Shiel, M. (2006), Italian Neorealism Rebuilding the cinematic City, London Wallflower Press.